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english | deutsch |
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Nina Lola Bachhuber - Curriculum Vitae
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| 1971 |
born in Munich |
| 1998 |
studied at the Kunstakademie Hamburg |
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lives in New York |
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 Awards and Grants |
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| 2006 |
Printing Fellowship Brodsky Center for Innovative Print and Paper |
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Sculpture Space Utica, NY with Geraldine Dodge Award |
| 2005 |
NJSCA fellowship for sculpture |
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Omi International Arts Center |
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Millay Colony for the Arts |
| 2004 |
Yaddo Residency Program, Saratoga Springs, New York |
| 2003 |
Millay Colony for the Arts |
| 2002 |
Künstlerhaus Hamburg |
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Yaddo Residency Program, Saratoga Springs, New York |
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The Pollock-Krasner Foundation Grant |
| 2000 |
DAAD (German Academic Exchange Service) Scholarship for New York City |
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International Studio Program, New York City |
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Solo Shows (Selection) |
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| 2010 |
Nachtschatten, Momenta Art, Brooklyn, NY, USA |
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Kunstverein Glueckstadt, with Anette Kisling, Glueckstadt, Germany |
| 2008 |
Locust Plague, Galerie Heinz-Martin Weigand, Ettlingen/Karlsruhe, Germany |
| 2007 |
Lucy in the Sky with Diamonds, Gallery Min Min, Tokyo, Japan |
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Glasgow Sculpture Studios (with Stuart Gurden) |
| 2006 |
Not yet a widow,Gallery Antje Wachs, Berlin |
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Yesterday I Ate a Lizard, Space Other, Boston |
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Gallery Min Min , Tokyo, Japan |
| 2005 |
Gallery Min Min, Tokyo, Japan |
| 2003 |
The social life of mussels, Susanne Vielmetter Los Angeles Projects |
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Gallery Min Min, Tokyo, Japan |
| 2002 |
Greyscale (Wall for two rockers), Künstlerhaus Hamburg, Germany |
| 2001 |
Bist lieb, Moltkerei Werkstatt, Cologne, Germany |
| 2000 |
Goethe Haus, New York City |
| 1999 |
Coexistence, DG Kunstverein, Munich (Cat.), Germany |
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Schloss Elmau, Germany |
| 1998 |
Kunsthaus Essen (Cat.), Germany |
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Badewonnen, Gesellschaft der Freunde junger Kunst, Baden-Baden, Germany |
| 1996 |
Kunstverein Fürth |
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Group Exhibitions (Selection) |
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| 2011 |
An Exchange with Sol LeWitt, MASS MoCA,
North Adams and Cabinet Magazine, Brooklyn, NY, USA |
| 2010 |
What is left, CRLab at Winkleman Gallery, NY, USA |
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Silent Position, Shikaoi, Hokaido, Japan |
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Lush Life, Colette Blanchard Gallery, New York, USA |
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Hair Tactics, curated by Rocio Aranda -Alvarado, Jersey City Museum, NJ, USA |
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The Arbitrariness of Signs, curated by Sara Reisman, Momenta Art, Brooklyn, NY, USA |
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Velada Santa Lucia, curated by Rolf Bergmeier, Santa Lucia, Venezuela |
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The Last Book, curated by Luis Camnitzer, Zentralbibliothek Zürich, Switzerland |
| 2009 |
bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie | ZKM, Karlsruhe, Germany |
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Back of the Head: Alternative Approaches to Portraiture, Cooper Gallery, Duncan of Jordanstone College of Art & Design, Dundee, Scotland |
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7th Mercosul Biennial, curated by Victoria Noorthoorn and Camilo Yáñez, Porto Alegre, Brazil |
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Impossible Exchange, curated by Filipa Oliveira and Miguel Amado, Frieze Art Fair, London |
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Exquisite Corpse, curated by Anonda Bell, Paul Robeson Galleries, Rutgers University, NJ |
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Back of the Head: Alternative Approaches to Portraiture, curated by Jenny Brownrigg and Laura Simpson, Cooper Gallery, Duncan of Jordanstone College of Art and Design, University Of Dundee, Scotland (Cat.) |
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Multi Media, curated by Rebecca Hackemann, W. Schmidt Gallery, Wartburg College, Waverly, Iowa (Cat.) |
| 2008 |
intransit, Moti Hasson Gallery, New York City |
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The Last Book, curated by Luis Camnitzer, Museum of the National Library of Madrid, Spain |
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Casa Barragan, Mexico City, Mexico |
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Gallery Min Min, Tokyo, Japan |
| 2007 |
Wunderbare Begebenheiten und andere Märchen, curated by Kerstin Nieman, General Public, Berlin |
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In practice, curated by Sarina Basta, Sculpture Center , L.I.C., New York |
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New New York Drawings, curated by Don Desmett, Richmond Center for Visual Arts, Michigan |
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This Mango is not an iPod, curated by Ben Heywood, Soap Factory, Minneapolis |
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MASH, curated by Amy Smith-Stewart and Omar Lopez-Chahoud, The Helena, New York |
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Red badge of Courage, curated by Omar Lopez-Chahoud, The National Newark Building, Newark |
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NJSC Fellowship recipients, Ben Shahn Galleries, William Paterson University, Paterson, NJ (Catalog) |
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Transgression/Excess, Space Other, Boston |
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Swab, Barcelona (with Space Other, Boston) |
| 2006 |
Drawings, Yoshiko Matsumoto Gallery, Amsterdam, Netherlands |
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Remember who you are, curated by Amy Smith-Stewart, Mary Boone Gallery , New York |
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WoMA, André Schlechtriem Temporary, Inc., New York |
| 2005 |
Greater New York 2005, P.S.1/MoMA Queens (Catalog) |
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Greater New York 2005, P.S.1/MoMA Queens |
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Hanging by a thread, curated by Nina Arias and José Diaz, The Moore Space , Miami (Catalog) |
| 2004 |
Zavaleta Lab, curated by Victoria Noorthoorn, Buenos Aires, Argentina (Catalog) |
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Von der Heydt-Museum, Wuppertal, Germany |
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Art @ Agnes, Tokyo, Japan |
| 2003 |
International Paper, UCLA Hammer Museum, Los Angeles (Cat.) |
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Breaking away, P.S.1/MoMA Queens |
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Drawings, Metro Pictures Gallery , New York |
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On paper, Elizabeth Leach Gallery, Portland |
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Harakiri Bonbon , Kunsthaus and Kunstverein, Hamburg, Germany (Catalog) |
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Junge Kunst 2003, Tuchfabrik, Trier and Kunstverein Trier, Germany |
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Interplay 2, Curated by Silvia Cubiña and Patrik Charpenel, Museo de Arte de Puerto Rico, San Juan, PR |
| 2002 |
Interplay 1, Curated by Silvia Cubiña and Patrik Charpenel, The Moore Space , Miami (Catalog) |
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Saar Ferngas Förderpreis, Wilhelm-Hack-Museum, Ludwigshafen, G (Catalog) |
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The 25 Anniversary Selections Exhibition, The Drawing Center , New York |
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Exit Art, New York |
| 2001 |
Walk-About, Ramat Gan Museum, Tel Aviv and Kampnagel, Hamburg (Catalog) |
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SUK 2, Sesto Senso, Bologna, Italy |
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Form, Gallery Korea, New York |
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K3, Hamburg, Germany |
| 2000 |
Selections 2000, The Drawing Center , New York (Catalog) |
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Kepplvilla, Schwandorf, Germany (Catalog) |
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International Studio Program, New York (Catalog) |
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Works in Public Collections |
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Museum of Modern Art, New York |
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Literature |
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| 2009 |
Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie | ZKM, Karlsruhe, Germany |
| 2004 |
Hanya Yanagihara, “Drawing resurfaces”, Departures 12/04 p.131-136 |
| 2003 |
Harada Yukiko, "Nina Lola Bachhuber at Gallery Min Min", Kateigaho International, Japan 11/03 |
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Philip Martin, "International Paper", tema celeste 97 april-may 2003 p.83 |
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Peter Frank, "The Paper Chase", art on paper 4/03 p.36 |
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"International Paper: Drawings by emerging artists" art on paper 3/03 p.30 |
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Christopher Knight, "Drawing, not toeing the line" LA Times 2/7/03 |
| 2002 |
galerienspiegel, "Greyscale (Wall for two rockers)", taz Hamburg 8/21/02 |
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Christel Heybrock, "Ironisch, pfiffig, meisterhaft" Mannheimer Morgen 9/6/02 |
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Saar Ferngas "Foerderpreis Junge Kunst 2002" (Cat.) |
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