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| english | deutsch | |
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| 1971 | geboren in München |
| 1998 | Studium an der Hochschule für Bildende Künste Hamburg |
| lebt in New York | |
| 2006 | Printing Fellowship Brodsky Center for Innovative Print and Paper |
| Sculpture Space Utica, NY with Geraldine Dodge Award | |
| 2005 | NJSCA fellowship for sculpture |
| Omi International Arts Center | |
| Millay Colony for the Arts | |
| 2004 | Yaddo Residency Program, Saratoga Springs, New York |
| 2003 | Millay Colony for the Arts |
| 2002 | Künstlerhaus Hamburg |
| Yaddo Residency Program, Saratoga Springs, New York | |
| The Pollock-Krasner Foundation Grant | |
| 2000 | DAAD (German Academic Exchange Service) Scholarship for New York City |
| International Studio Program, New York City | |
| 2010 | Nachtschatten, Momenta Art, Brooklyn, NY, USA |
| Die Königin verneigt sich und tötet, Kunstverein Glueckstadt, Glueckstadt | |
| 2008 | Locust Plague, Galerie Heinz-Martin Weigand, Ettlingen/Karlsruhe |
| 2007 | Lucy in the Sky with Diamonds, Gallery Min Min, Tokyo, Japan |
| Glasgow Sculpture Studios (with Stuart Gurden), Schottland | |
| 2006 | Not yet a widow, Antje Wachs Galerie, Berlin |
| Yesterday I Ate a Lizard, Space Other, Boston, USA | |
| Gallery Min Min , Tokyo, Japan | |
| 2005 | Gallery Min Min, Tokyo, Japan |
| 2003 | The social life of mussels, Susanne Vielmetter Los Angeles Projects, USA |
| Gallery Min Min, Tokyo, Japan | |
| 2002 | Greyscale (Wall for two rockers), Künstlerhaus Hamburg |
| 2001 | Bist lieb, Moltkerei Werkstatt, Köln |
| 2000 | Goethe Haus, New York City |
| 1999 | Coexistence, DG Kunstverein, München (K) |
| Schloss Elmau | |
| 1998 | Kunsthaus Essen (K) |
| Badewonnen, Gesellschaft der Freunde junger Kunst, Baden-Baden | |
| 1996 | Kunstverein Fürth |
| 2011 | An Exchange with Sol LeWitt, MASS MoCA, North Adams and Cabinet Magazine, Brooklyn, NY, USA |
| 2010 | What is left, CRLab at Winkleman Gallery, NY, USA |
| Silent Position, Shikaoi, Hokaido, Japan | |
| Lush Life, Colette Blanchard Gallery, New York, USA | |
| Hair Tactics, kuratiert von Rocio Aranda -Alvarado, Jersey City Museum, NJ, USA | |
| The Arbitrariness of Signs, kuratiert von Sara Reisman, Momenta Art, Brooklyn, NY, USA | |
| Velada Santa Lucia, kuratiert von Rolf Bergmeier, Santa Lucia, Venezuela | |
| The Last Book, kuratiert von Luis Camnitzer, Zentralbibliothek Zürich, Schweiz | |
| 2009 | bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie | ZKM, Karlsruhe |
| Back of the Head: Alternative Approaches to Portraiture, Cooper Gallery, Duncan of Jordanstone College of Art & Design, Dundee, Schottland | |
| 7th Mercosul Biennial, kuratiert von Victoria Noorthoorn and Camilo Yáñez, Porto Alegre, Brazilien | |
Impossible Exchange, curated by Filipa Oliveira and Miguel Amado, Frieze Art Fair, London |
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| Exquisite Corpse, kuratiert von Anonda Bell, Paul Robeson Galleries, Rutgers University, NJ, USA | |
Back of the Head: Alternative Approaches to Portraiture, kuratiert von Jenny Brownrigg and Laura Simpson, Cooper Gallery, Duncan of Jordanstone College of Art and Design, University Of Dundee, Schottland (K) |
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| Multi Media, kuratiert von Rebecca Hackemann, W. Schmidt Gallery, Wartburg College, Waverly, Iowa, USA (K) | |
| 2008 | intransit, Moti Hasson Gallery, New York City, USA |
| The Last Book, kuratiert von Luis Camnitzer, Museum of the National Library of Madrid, Spanien | |
| Casa Barragan, Mexico City, Mexico | |
| Gallery Min Min, Tokyo, Japan | |
| 2007 | Wunderbare Begebenheiten und andere Märchen, curated by Kerstin Nieman, General Public, Berlin |
| In practice, curated by Sarina Basta, Sculpture Center , L.I.C., New York, USA | |
| New New York Drawings, curated by Don Desmett, Richmond Center for Visual Arts, Michigan, USA | |
| This Mango is not an iPod, curated by Ben Heywood, Soap Factory, Minneapolis, USA | |
| MASH, curated by Amy Smith-Stewart and Omar Lopez-Chahoud, The Helena, New York, USA | |
| Red badge of Courage, curated by Omar Lopez-Chahoud, The National Newark Building, Newark, USA | |
| NJSC Fellowship recipients, Ben Shahn Galleries, William Paterson University, Paterson, NJ, USA (K) | |
| Transgression/Excess, Space Other, Boston, USA | |
| Swab, Barcelona (with Space Other, Boston) | |
| 2006 | Drawings, Yoshiko Matsumoto Gallery, Amsterdam, Holland |
| Remember who you are, kuratiert von Amy Smith-Stewart, Mary Boone Gallery, New York, USA | |
| WoMA, André Schlechtriem Temporary, Inc., New York, USA | |
| 2005 | Greater New York 2005, P.S.1/MoMA Queens, USA (K) |
| Greater New York 2005, P.S.1/MoMA Queens, USA | |
| Hanging by a thread, curated by Nina Arias and José Diaz, The Moore Space , Miami, USA (K) | |
| 2004 | Zavaleta Lab, curated by Victoria Noorthoorn, Buenos Aires, Argentinien (K) |
| Von der Heydt-Museum, Wuppertal | |
| Art @ Agnes, Tokyo, Japan | |
| 2003 | International Paper, UCLA Hammer Museum, Los Angeles, USA (K) |
| Breaking away, P.S.1/MoMA Queens, USA | |
| Drawings, Metro Pictures Gallery, New York, USA | |
| On paper, Elizabeth Leach Gallery, Portland, USA | |
| Harakiri Bonbon , Kunsthaus and Kunstverein, Hamburg (K) | |
| Junge Kunst 2003, Tuchfabrik, Trier and Kunstverein Trier | |
| Interplay 2, Curated by Silvia Cubiña and Patrik Charpenel, Museo de Arte de Puerto Rico, San Juan, PR | |
| 2002 | Interplay 1, kuratiert von Silvia Cubiña and Patrik Charpenel, The Moore Space , Miami, USA (K) |
| Saar Ferngas Förderpreis, Wilhelm-Hack-Museum, Ludwigshafen (K) | |
| The 25 Anniversary Selections Exhibition, The Drawing Center, New York, USA | |
| Exit Art, New York, USA | |
| 2001 | Walk-About, Ramat Gan Museum, Tel Aviv and Kampnagel, Hamburg (K) |
| SUK 2, Sesto Senso, Bologna, Italien | |
| Form, Gallery Korea, New York, USA | |
| K3, Hamburg, Germany | |
| 2000 | Selections 2000, The Drawing Center, New York, USA (K) |
| Kepplvilla, Schwandorf (K) | |
| International Studio Program, New York, USA (K) | |
| Museum of Modern Art, New York | |
| 2004 | Hanya Yanagihara, “Drawing resurfaces”, Departures 12/04 p.131-136 |
| 2003 | Harada Yukiko, "Nina Lola Bachhuber at Gallery Min Min", Kateigaho International, Japan 11/03 |
| Philip Martin, "International Paper", tema celeste 97 april-may 2003 p.83 | |
| Peter Frank, "The Paper Chase", art on paper 4/03 p.36 | |
| "International Paper: Drawings by emerging artists" art on paper 3/03 p.30 | |
| Christopher Knight, "Drawing, not toeing the line" LA Times 2/7/03 | |
| 2002 | galerienspiegel, "Greyscale (Wall for two rockers)", taz Hamburg 8/21/02 |
| Christel Heybrock, "Ironisch, pfiffig, meisterhaft" Mannheimer Morgen 9/6/02 | |
| Saar Ferngas "Foerderpreis Junge Kunst 2002" (K) | |
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